![]() They hoped that it would "propel into a Fall Out Boy-like orbit within the mainstream." It did not. It was, on the surface, a lot cleaner-sounding and more upbeat than their previous work. I thought my pills were fine because they weren't illegal Motion City made me consider otherwise.Įven If It Kills Me, which celebrates its tenth anniversary this year, marked a new era for the band. "Let's Get Fucked Up And Die" may have reeled me in, but "Everything Is Alright" helped me name my anxieties I didn't know anyone who felt like I did until I heard Justin Pierre singing, "I'm sick of the things I do when I'm nervous / like cleaning the oven or checking my tires." Pierre told Alt Press that during this time he was "in the middle of some sort of weirdness that some people could label as OCD." Throughout their first two albums Pierre sang of his neuroticism and a dependency on substances that would lead him to seek treatment during the writing of Commit This to Memory. I went home that day and I immediately listened to Commit This to Memory in full. Sure, they were silly, nerdy, and aggressively committed to Moogs, but they also sang truthfully and specifically about mental health, even down to the details of serotonin synapses. For better or worse, the lyrics-"I believe that I can overcome this and beat everything in the end / but I choose to abuse for the time being / maybe I'll win, but for now I've decided to die"-spoke to my exact situation and resolute, suicidal hopelessness.ĭue to their playful exterior, Motion City often don't get the credit they deserve. Motion City Soundtrack often sneak serious lyrics into ostensibly pop-sounding songs, but "Let's Get Fucked Up And Die" builds slowly, entirely imbued with emotion and honesty. ![]() In the song, vocalist Justin Pierre sings openly and viscerally about feeling distant from humanity and about his complete commitment to substances, but it sounded a whole lot less dire and whiny than the other music I listened to. Eventually, a friend introduced me to Motion City Soundtrack's "Let's Get Fucked Up And Die" and I was immediately captivated. ![]() Bands like Dashboard Confessional and From First to Last allowed me to wallow, but they didn't help me figure out what was actually wrong. My friends and I would walk around the countryside, drunk and usually a little high, blasting songs on tinny Sony Walkman phones that we'd downloaded off LimeWire. Most of the music I listened to discussed mental health, albeit in an often melodramatic or metaphorical way. Like many other 13-year-olds in the mid-00s, I was into emo.
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